TAKE ME HOME













Kevin
Mathews:
November/December,
2005


So Much Music, So Little Time

Did you know that progressive metal stalwarts Dream Theater are performing in Singapore in the New Year? When I mentioned this to someone, he remarked that he was too "old" for that kind of music - and he's 35! Now, let me get this right - how can anyone be too "old" for music that is largely based on the progressive rock movement of the 70s? If anything, he's too young! Which got me thinking about how rock music and age always seems to be unnaturally linked. And why should it be? After half a century of rock music, there is really no reason for anyone to express these sentiments with the cycles that music movements go through ever so often, everything old is new again and again and again and…well, you get the idea, here's a whole bunch of "new" rock music that will hopefully illustrate my point.

Blurb-O-Rama: The Continuing Story…

The Dammitheads The Heart of the Matador (Hey! Low Sound)

www.ourdamnwebsite.com

Here's a high compliment for the Dammitheads - are they the American Super Furry Animals? I mean, really, this album is a virtual buffet of delectable pop-rock (mostly 70s-derived) that is never anything but the personal art of David Tomaloff and Steve Hawkins. And so you will detect the influences of The Rolling Stones, David Bowie, T-Rex, Elvis Costello, XTC and Gang of Four easily and love it all to death. Tomaloff's affected anglophile larynx doesn't hurt the proceedings either. This is a great album.

Jadecroon Silence Manitou (Rhythm Barrel) www.jadecroon.com
Finnish band Jadecroon point to Weezer as a key factor in their genesis. I suppose it's a good launching pad. To be fair, this debut EP does possess some of the geeky crunch that so epitomises Cuomo and gang but there are enough definitive moments (the inspiring "Kenny May" and the insistent "The Way They Do") to suggest that Jadecroon may have more in their creative locker.

The Myriad You Can't Trust A Ladder (Floodgate) www.floodgaterecords.com

Ah…fragile, almost whispered vocals married to guitar pyrotechnics. Did U2 invent emo? The Myriad knows how to touch the heart and ignite the passion of the soul with earnest lyrics and driving yet atmospheric music. Sound familiar? Can Coldplay comparisons be far behind? No wonder there is a WEA logo on the promo! Probably performing at a stadium near you soon.

Julius Curcio Julius Curcio (NotCD) www.notcd.com

There is a likable, folky Beatlesque vibe that permeates this 5-track (demo?) promo with tracks like the catchy "American Pie" coming across like CSN produced by the Beastie Boys! But Curcio is not a one-trick pony, although the acoustic guitar figures prominently throughout as it is the strength of his melodies that suggests that given greater resources (and funding, no doubt), a song like "American Pie" might garner national attention.

Latterman No Matter Where We Go…! (Deep Elm)

Be warned, for contained within the inner sleeve of this album is a longish diatribe against the ills of patriarchy that is prevalent in modern culture. Which presumably you can take or leave. Heh. Musically, Latterman (geddit?) takes no prisoners with their strident hardcore punk and in that respect, it comes out blazing firing on all cylinders. Just don't read the CD sleeve (especially "Dear Boys") if you're easily offended…

Brother 2 Brother Looking For Texas (Self released) www.brother2brother.com

…which I suppose is good way to segue into the faithful blues rock of Brother 2 Brother. Walking in the footsteps of fellow Texan Stevie Ray Vaughn, B2B exists to play it as it is with honky-tonk and R&B thrown it for authentic measure. Which is just great for those late nights when you wanna put your feet after a hard day's work and enjoy the blues. And songs like "It Wasn't Me" and "The Power To Drive The Blues Away" will certainly do the job. Every time.

Portal Element (Self-released) www.portalband.com

Like Dream Theater, the music of Canadian quartet Portal has its roots in progressive rock although Portal's particular take on prog is more closely aligned to bands like Tools and industrial artists like Filter, VAST and Nine Inch Nails. The underpinning may be electronic and cold at times, but there are enough melodic devices beneath the steely veneer that may interest pop-rock fans as well.

White Noise of the Big Bang Magnet March (Self-released) www.wnoise.com

Well, it certainly is white noise, if you know what I mean. This 3-track EP is a fair sampler of White Noise of the Big Bang's unrelenting hardcore punk guitar assault and but for a relatively steady melodic focus would be a highly tedious experience. Apparently this EP is the first time the band has recorded in a real studio and yes, it shows. But the songs have enough potential to warrant closer inspection.

Aroarah - Aroarah (January Music) www.aroarah.com

Press release mentions quite a few hard rock influences - Rush, System of A Down, Nirvana, Smashing Pumpkins and even Led Zeppelin. You might argue that the prominent sound on this 4-track EP is that of emo, with a harder than usual edge and should probably be filed next to Evanescence CDs. The tunes are not particularly memorable but will no doubt appeal to the skateboard generation. Does very little for me personally but as debut efforts go, it's pretty solid.

Great Lake Swimmers Bodies and Minds (Misra) www.misrarecords.com

Lover-ly. Ontario based outfit Great Lake Swimmers believe in keeping things spare so that musical nuances and poignant lyrics can have the maximum effect. Certainly, the ghost of Nick Drake haunts the music here which by the same token, expresses an affinity for the work of Mark (American Music Club) Eitzel and Mark (Red House Painters) Kozelek. Atmospheric and folky, Bodies and Minds is perfect for those half-asleep misty mornings. Take a deep breath…

So back to that Dream Theater gig in January and wondering how I could score a couple of comp tickets. Maybe invite my "too old for that" friend along. Sigh.

So I shall leave you with the strains of "Funeral For A Friend/Love Lies Bleeding" the Elton John classic as covered by those Berkeley grads on the A Change of Seasons album. "The roses in the window box are tilted to one side…."


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