TAKE ME HOME











Charlotte Hatherley

Kevin
Mathews:
August,
2005


So Much Music, So Little Time

It's that time of the year when I dedicate my column inches to worthy indie labels and this August we return once again to Jeremy Morris' Jam Records and welcome Double Dragon Music from the Old Blighty!

The man behind Double Dragon Music is Stephen Taverner (aka Tav). Tav had in early 1994, come across ''Garage Girl,'' Irish band Ash's demo tape. Suitably impressed Tav put up the money so that Ash could press 2000 7" copies of "Jack Names the Planets" on Tav's own LaLaLand record label. The rest, as they say, is history and Tav became the band's manager. Tav would go on to form Double Dragon Music in 2000. Tav was joined by partner Nigel Coxon (former head of A&R at Island Publishing) in 2003. At the moment, Double Dragon Music is home to artists like Fi-Lo Radio, The Crimea, Ludes, Little Hell and those featured below. The label has scored several UK top-40 singles, and has built a reputation as a haven for strong song-based music, with an emphasis on an active partnership with its acts, developing material, artwork, marketing plans, live strategy etc. Almost all its acts have subsequently secured lucrative major-label contracts both in the UK and the USA. Thanks to label manager, Gavin Nugent, for the information and the CDs. On with the music…

I remember when it was announced that Ash would be adding a girl to their line-up. Seemed odd at the time because Ash were known as a guy's band - if you know what I mean - and adding a girl to the mix didn't quite add up. Of course, what did happen was that Charlotte Hatherley's guitar work actually galvanized Ash leader Tim Wheeler's songs and her backing vocals gave the music another dimension. Sure, it didn't hurt that she was rather pretty as well! Now, here's the clincher - she's a first-rate songwriter and vocalist in her own right as well! Grey Will Fade is Hatherley's dynamic debut album and it threatens to put Ash firmly in the shade. I kid you not! Released in summer 2004, Grey Will Fade is simply a joy and will appeal to fans of XTC, Weezer, Elastica, Blondie, the Pretenders and anyone who loves melody-based rock. Highlights include the 80s tribute that is "Kim Wilde," the open-chord brilliance of "Rescue Plan," the edgy pop dynamics of "Stop" and the infectious "Bastardo" (check out the wonderful video if you can find it online). Hmmm, gimme a smart girl with a guitar anytime…

Jack Endino is a name from the grunge era - having famously worked with Soundgraden, Mudhoney, Tad and of course Nirvana - and about a decade after the genre became a bad word, Endino continues to put his distinctive thumbprints all over similar loud & crunching melodic rock. Case in point, Winnebago Deal, whose Dead Gone album was released in 2004 by Double Dragon Music. Hailing from Oxford, the duo of Ben Thomas and Ben Perrier churn (literally) out an unrelenting torrent of sludgy, swampy, head-banging rock straight out of the Seattle grunge scene of the little 90s. And depending on your perspective, songs like "Cobra," "Afterburner" and "Shank Fight" will either get you moshing along or reaching out for the aspirin.

More recently, Double Dragon Music has issued a couple of singles. This Et Al's double A side You've Driven For Miles And Not Remembered A Thing/All You'll Ever Be Is A Dancer is due in September 2005 and features a intriguing hybrid of Nirvana's bombast, Morrissey's fragility and the sheer energy of punk pioneers The Jam and The Clash, which is a nice twist on the latest "new wave of the new wave of the new wave" flavour. There's so much going through both songs here that it would probably take a few good listens to discern it all. But suffice to say, that there's more going on here than your average new wave revival. By the time you've read this, <Turncoat> has its debut single featuring "At A Window" and "Absolute Zero" released and to these ears, the post-punk of the early 80s is a strong influence and references to Joy Division, Echo and the Bunnymen and Magazine are discernible. Rather reminiscent of New York band, Interpol, in style and content, this single is a promising debut no doubt but really at this stage, there is nothing too much that sets <Turncoat> apart from the wannabes out there on both sides of the Atlantic. Perhaps the full-length album will have more to offer.

I look forward every now and then to getting a package in the post from Jeremy Morris. Now Jeremy is a God-fearing gent who loves the power in his pop! Since starting up his very own Jam Records from his home base in Portage MI, Jeremy has gone from strength to strength, releasing many fine albums of his own and other noteworthy (primarily) power pop bands and artists. In my time as a writer, Jeremy has been generously supporting me with copious releases, which often come in huge mail bundles. Amongst these, the gloriously ragged sweet power popping work of Tim Boykin's Lolas, the Styx-lovin' one-man ensemble that goes by the name of Ed James, the cerebral prog-rocking no-wave styling of Terry Eason and the authentic rockabilly retro-rambling Brian Jay Cline to highlight but a few. Not only that but Jeremy himself of course is an accomplished singer-songwriter-musician with gifts and talents that if I could bottle would make me an instant millionaire! Read on…

The scores of smiley faces on the cover of Jeremy's latest solo pop disc Find the Way to Be Happy will give you a string indication of what to expect. Jeremy has always operated on the "B" principle - make sure it sounds like Beatles, Beach Boys, Byrds and Big Star - which suits me fine. With 22 (!) tracks and at over 70 minutes of music, Find the Way To Be Happy would certainly give you more pop for your dollar! Premier pop tunes like "What God Wants," "Highway to Heaven," "Heaven To Pay" and the like deliver positive vibes through a kaleidoscope of 60s jangle folk-pop. Next up is the 25-track Lord of Lords, a sequel of sorts to last year's King of Kings which as the title suggests is a Christian worship album and encapsulates perfectly Jeremy's twin passion - music and God - not necessarily in that order. Chock full of melodies and arrangements that would be essential to any 60s pop fan, Lord of Lords is worth checking out, whatever your faith happens to be. As a Christian myself, I really do appreciate Jeremy's stand on his faith - it's simply a part of who he is.

And… as Todd himself remarked, "still there's more…" Home in the Sky highlights Jeremy's astounding skills with a grand piano - I'm truly amazed that Jeremy has not been tapped by film makers as his ability to capture a mood is second to none. Thematically, Home in the Sky is about heaven and the nine songs here will certainly put the listener into a hopeful reverie of the heavenly glory to come. Not only that, my readers, Jeremy has been blessed enough to release Glowfriends, consisting of his daughter April, son Mark Andrew and friends and with their sophomore release Leave the Hall Light On showcase a delightfully adept chamber pop sound that at times recall Fiona Apple, Bjork, Tori Amos et al. Last but not least, Jeremy was kind enough to include Jam On Jeremy a tribute to the man himself (on Ear Theory) by the intelligentsia of the pop underground. Now it warms the heart to see Jeremy get the props he so richly deserves from the likes of Lisa Mychols ("Pop Rules"), Lolas ("Flying"), Phil Angotti ("Love is Alive") and Ed James ("Chain Reaction"). Take a bow, Jeremy!

More music - same time same place…

Featured this month -

Double Dragon Music www.doubledragonmusic.com
Charlotte Hatherley www.charlottehatherley.com
Winnebago Deal www.winnebagodeal.com
This Et Al www.thisetal.com
<Turncoat> www.turncoat.co.uk
Jam Records www.jamrecordings.com
Glowfriends www.glowfriends.net

 

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